'Singer-songwriter Stephen Cohen gathered around him two good musicians to work with : percussionist and recorder player Jeff Stier, and flautist Rachel Laderman, forming a trio under the name Tree People. After a year of performing and practicing the group had the chance to make a recording in a local recording studio in the forest, with additional guest musician James Thornbury, (who was going to be a member of the Canned Heat later, in their second period) on bass, slide-guitar and vocals. The recording session showed all qualities of a one chance in a lifetime where everything seemed to come together, even when they only had just one weekend to record.
Mostly acoustic guitars, flute and vocals, the Tree People had two distinct sounds, the first, a lilting melancholy moonlit folk, like Cat Stevens or Van Morrison, a gorgeous lazy drawl, rich and lustrous, over simple folk and fluttering flutes, dreamy and gorgeous, sounding like some lost folk classic one minute, a strange "Girl From Ipanema" style shuffle the next.
But even at it's sweetest and softest, the record seems to always have a hint of melancholy, sometimes even a trace of ominous foreboding. Which definitely gives the songs a subtly dark undercurrent. The majority of the record however is spent in full on hippy jam mode. Very Comus-like at times (especially on track two, "Sliding"), wild steel string excursions, dense tangles of fingerpicked melodies and aggressive strummed riffs, with a definite raga like vibe, all over a smattering of hand drums and tablas, a glorious drifting buzzing steel string dronefolk, that just sounds so incredibly timeless.'
- excerpt of the review by ChrisGoesRock.